Month: June 2010

Removing the Bonsai Wire Just Too Late

Post author By Sandy
Post date June 25, 2010
4 Comments on Removing the Bonsai Wire Just Too Late

It’s crazy how fast my Chinese elm (榆樹 in Chinese) is growing. Last month, I wired this branch of my Chinese elm right before two weeks of rainy days. When I went back and checked the wiring two weeks later, I found that the branch had already been embedded deeply into the bark 🙁

I quickly went to the other end of my bonsai rack and checked my Surinam cherry (aka red Brazil cherry, 紅果 in Chinese) which also had a branch wired on the same day as the Chinese elm. And I was so relieved when I found that the Surinam cherry was totally fine, looking more or less like how it was two weeks ago.

Here, I have learned two lessons.

One: Some trees grow incredibly fast, especially those in its growing season with proper care, regular watering and fertilization. We should keep a close eye on the fast growing trees such as Chinese elm and Fukien Tea so that we can react right away to any small damage we find on the bark.

Two: Bonsai wires should not be tied too tightly around the branch or twig of our bonsai tree. Wiring two or three times in succession won’t harm our bonsai tree. Yet, we will harm our tree if we have to tear out the wire that has been embedded into the bark.

Ok, lessons are learned but damage is irreversible. Now I just hope that the scar will recover and look less obvious as time goes by.

My First Forest Bonsai

I took a forest bonsai class earlier this month and this is the first forest bonsai I have ever made. And yes, I love my work and am proud of it.

We were given seven pine trees, a marble slab, a bonsai figurine, a piece of bonsai pot drainage mesh, and a rubber strap. The rubber strap is used to wrap around the soil to prevent it from falling apart. The strap can be removed once the root systems of the trees have grabbed the soil strong and tight enough.

I spent quite a lot time thinking about tree placement to get the most natural looking arrangement. For example, during the class, Teacher Wong kept reminding us that trees in a forest bonsai should not fall directly behind one another when viewed from the front. It wasn’t as easy as it sounded, for there were seven pines we had to arrange on a small little marble slab. Moreover, we also needed to leave a clear area for the cow figurine which we would place after the forest bonsai was made.

After we had designed the tree arrangement for our forest bonsai and got approved by Teacher Wong, we added in soil and moss. Then, we watered our forest bonsai thoroughly once they were made, as soon as possible.

I am currently keeping my forest bonsai under my bonsai rack. Our newly made forest bonsai should be kept under shade with indirect sunlight for at least two weeks, and gradually expose the forest bonsai to more and more sun afterward.

Bonsai Figurines

Figurines in Penjing

Bonsai-Figurine-Mudman — Taken in Bonsai Exhibition of 2010 Hong Kong Flower Show

As mentioned in an earlier post – Chinese Penjing & Japanese Bonsai, one of the major difference between Chinese penjing and Japanese bonsai is the scope of these two related art forms. With the meaning of the words – “bonsai” (盆栽) and “penjing” (盆景), it is clear that while the Japanese bonsai is focusing on the creation of a perfect tree, the Chinese penjing is more of reproducing a miniature natural scene. Many of the elaborate tray sceneries created by Chinese artists clearly defy the parameters of bonsai.

So, Chinese penjing is a little less “strict” and often involves the use of rocks, small figurines and mudmans, multiple trees, and water to complete the illusion of a landscape in a bonsai pot or on a marble slab. Little clay structures like huts, pagodas, boats and bridges are also often use in penjing. And with these traces of human existence that are frequently found in many Chinese painting, the close connection between penjing and painting is obvious.

Figurines have always had a place in Chinese penjing as an aesthetic contribution. In an effort to capture the realism of a favorite scenic view, an intricate part would involve the use of figurines of people, animals, huts and temples, to give an appearance of great age and size to the miniature forests.

Bonsai Figurines

Stories of the Eight Immortals

Post author By Sandy
Post date June 9, 2010
2 Comments on Stories of the Eight Immortals

A few days ago, I showed a set of bonsai figurines of the Eight Immortals to a friend from UK. I didn’t expect him to know anything about the Eight Immortals, and I was about to tell him more of this Chinese folklore. Yet, to my surprise, what my British friend knows of this group of legendary fairies is quite a bit, if not more than I do! (My friend later told me that he did a Wikipedia search after he bought a scroll of the Eight Immortals in Shanghai.)

So, the Eight Immortals are characters found in Chinese folklore. They were actually mortal beings until they performed kind deeds, or got into some miraculous accidents. These Eight Immortals represent all kinds of people – rich, poor, young, old, man, woman, military, cultured, noble. Because they are not gods, they can only visit, but not live in Heaven. These Eight Immortals enjoy traveling. They love to get together and roam around, often causing both laughter and troubles. They fight dragons, steal from Gods, enjoy parties and a good drink.

Below is a brief description of each of the Eight Immortals.

Zhang Guo Lao (張果老)

Zhang Guo Lao is represented as an old man riding a white mule with a tube-shaped musical instrument made of bamboo in his hands. This white mule could get Zhang to incredible distances, and be folded into Zhang’s wallet at the end of each journey. Whenever Zhang wanted to travel again, he would sprinkle water on his wallet and the white mule would reappear.

Zhong Li Quan (鐘离權)

Zhong Li Quan is the Chief of the 8 Immortals. He is the fat guy with his bare belly showing. Zhong always carries a fan and sometimes a peach.

Cao Gou Jiu (曹國舅)

Cao Gou Jiu was the brother of the Emperor of the Song Dynasty and the son of a military commander. He is the finest dressed among the eight immortals. He is always shown wearing formal court dress and carrying castinets.

Li Tie Guai (李鐵拐)

Li Tie Guai is depicted as a beggar with a crutch and a gourd. The legend has it that Li had the magical skill of freeing his soul from his body. One day while Li’s spirit was gone from his body, his body was found and mistakenly thought as dead. It was then burned, as was traditional. When Li returned from his travels, he found that he had lost his body and was forced to enter the body of a lame beggar.

Lu Dong Bin (呂洞賓)

Lu Dong Bin was an 8th-century scholar. Upon his back he wears a magic sword that used to slay dragons and demons. In his hand he carries a fly brush.

Lan Cai He (蓝采和)

Lan Cai He is variously portrayed as a youth, sometimes as a boy, other times as a girl. He/She is the strolling singer who often shown wearing blue robe and carrying a basket of flowers.

He Xian Gu (何仙姑)

One day when He Xian Gu was in the mountain collecting herbs, she met Lu Dong Bin who gave her a magic peach. After He ate the peach, she became immortal with the ability to see the future. He is often seen carrying a magical lotus blossom and a fly-whisk.

Han Xiang Zi (韓湘子)

Han Ziang Zi is the Happy Man. He is said to be the nephew of Han Yu, a famous scholar in Tang Dynasty. Han is always seen playing a flute. It is said that Han could make flowers bloom with his will and soothe wild animals with his music.

Bonsai How To

Potting a Semi-Cascade Style Bonsai Tree

Post author By Sandy
Post date June 3, 2010
4 Comments on Potting a Semi-Cascade Style Bonsai Tree

Due to the angle of the slanting trunk and sideway extended branches, potting a semi-cascade or a cascade style bonsai tree can be quite tricky sometimes. We must be cautious of the tilted center of mass and be extra careful when we lift the bonsai tree around during potting.

The bonsai pot we use for semi-cascade style bonsai tree should be relatively deep. It can be round, square, octagonal, hexagonal, or a deep cascade.

Surface roots of a semi-cascade or cascade bonsai tree should radiate in several directions, with the strongest on the side away from the direction of the leaning tree (ie: if the bonsai tree leans to the right, its strongest roots should be radiating towards the left). In addition, it usually involves major root pruning when the tree is first collected and potted in a bonsai pot because it requires much long, thick root removal and the growing of fine roots closer to the trunk. While some prefer to do root pruning in stages, the root pruning of this Ficus is done completely in one time. Severe root pruning can be done if branches and foliage are also severely reduced at the same time.

We must make sure the roots where we want new growth of fine roots are covered with soil. In this case, since some roots of this Ficus are not long enough, we added a bendable plastic sheet in the interior of the bonsai pot to allow proper coverage of all the roots of the bonsai tree with potting mix. Once new roots have developed strong and long enough, we can take away the black plastic sheet.

And last but not least, we add chunks of pond soil silt on top of the soil mix for better root protection as well as its mineral value.